|
Kendell Geers
Born 1968, Johannesburg, South Africa. Lives and works in Brussels.
Selected solo exhibitions
2007
Irrespektiv, S.M.A.K. Stedelijk Museum voor Actuele Kunst, Ghent (Belgium) and BPS 22. Espace de création contemporaine, Secteur des arts plastiques de la Province de Hainaut, Charleroi, Belgium. Travelling to BALTIC Centre for Contemporary Art Gateshead, UK; Moca. — Musée d’Art Contemporain, Lyon.
2006
The Word Made Flesh, Stephen Friedman Gallery.
2005
Satyr: Ikon, Galleria Continua, San Gimignano, Italy.
2004
Hung, Drawn and Quartered, Contemporary Arts Center, Cincinnati.
2002
Sympathy for the Devil, Palais de Tokyo, Paris.
Selected group exhibitions
2005
Expérience de la durée, Biennale d’art contemporain de Lyon 2005, Lyon (France)
Lichtkunst aus Kunstlicht, ZKM-Museum Für Neue Kunst, Karlsruhe.
2004
Not done! MuHKA, Antwerp.
2003
Looking both ways. Art of the contemporary african diaspora, Museum for African Art, New York.
2002
Documenta 11, Kassel.
At the core of Kendell Geers’ works is the political situation in his native South African Republic. In his works he tells us about the
ruling segregations in his homeland, the manias of social safety, the suppression of minorities, the exploitation of workers and the
general cruelty. Geers uses an emphatically minimalized collection of means. His works are constructed on the contrast between
eloquence of contents and laconicity of form.
|
 |
Kendell Geers (South African Republic/Belgium)
Beyond good and evil (a.k.a from A to B)
Video, 2006
Courtesy Galleria Continua
|
|